Hi Ho, Cowgirl!
I have never been a big fan of the western genre, although they do bring back memories of my grandfather nodding off on the couch every Saturday when I was a little girl. He had the volume turned up to 11, and every time my grandmother roamed through the dining room and turned it down, the old man would stir and yell, "I'm watching that!"
There were only four movies that held any interest for me. "High Noon" was one, because I loved the tension in it. As a little girl, I sided with Grace Kelly. If the idiots of that town would rather live in squalid lawlessness, than help out Gary Cooper, then they deserved what they got. Take your wife and get on the train, pal. It was only as an adult that I learned about honor and integrity and figured out that Gary Cooper only had one choice, and it was not to run away. However, I still get a little shiver of satisfaction when I see him toss that tin star in the dirt at those feet of those hypocrites as he leaves town.
The original "Stagecoach," with young John Wayne, and "River of No Return" with Marilyn Monroe, are also favorites of mine. The bad girl with a heart of gold theme, and the love story that develops in each one always thrilled me. The transformative power of love, the triumph of the underdog...isn't that the stuff that all little girl fairy tales are built on? And, for that matter, every teen movie since the age of John Hughes?
My last favorite, I have no explanation for. I love "High Plains Drifter." Before TiVo, I would drop everything if I happened to see it come on TV of an afternoon. I have burned brownies, missed hair appointments and cancelled brunch plans, all in favor of parking it in front of the TV to watch Clint Eastwood lay the smackdown of justice, not only to the low-lifes who killed him the first time, but the traitorous, yellow-belly scum townspeople who let it happen. There is just something about the raw, earthy quality of the mysterious drifter and the vengeance he exacts, that appeals to the darker side of my soul. It's like the flip side of "High Noon," like what would have happened if Gary Cooper had lost.
Doesn't hurt that Eastwood is a babe either.

